Wednesday, June 8, 2011
Points to Make For My Oral Exam (With the Help of Leyla)
- Did not know much about theatre before - the only time I was on stage was for a band concert or when I played narrator in Elementary School
- Had the most difficulty with sharing my ideas and revealing/exposing who I am
- Broke the barrier by being encouraged and hearing others' ideas as well, learning more about practitioners and realizing I may be able to really develop with mine
- I learned from the process of using stimuli and devising that
- theatre can be as simple or as complicated as you want it to be, as long as you have a clear message
- stage elements take a lot of work
- practioners' theories can be of great use - Grown in developing my ideas and thinking more outside the box
- I'm more creative than I thought and am having less of a difficult time creating a message - A message I find in a lot of my pieces: It's okay to be different and there's no need to hide.
- Themes I find in (almost) all of my pieces: acceptance, difference, vibrance
Images:
- a blank canvas (I have so many ideas to paint)
- trombone (another passion of mine that is stressful at times, but gives me the sense of release: COMPARISON)
- thinking outside the box
- a nice necklace with different beads (all these different people make a beautiful product)
- something simple looking on the outside, but complicated on the inside
THEATRE IN PERFORMANCE:
- Acting
- Brecht
- Disney
- The Empty Space (Deadly, Holy, Rough Theatre)
- Green Team Piece
- Improv. Pieces - Devising
- Little Airplanes
- Disney
- Musical - Writing
- Musical
- Little Airplanes
- Monologue - Critiquing
- We critiqued everything
- Sweeney Todd
- Julius Caesar - Directing
- Pulp Fiction (?) - Stage Elements
- Doing set of Love's Labour's Lost
THEATRE IN THE WORLD:
- Three Penny Opera (Brecht)
- Topgirls (Caryl Churchill)
- Little Airplanes of the Heart
- Marat/Sade
- Romance Language
- took a peek at Commedia dell'Arte
- practitioners
- Brecht (Epic Theatre)
- Meisner (Method Acting)
- Shakespeare
- Brooke (theories)
- Jacques LeCoq (Physical Theatre)
- space, colors, plateau, animals, elements
- clown (Bouffon), neutral mask
THEATRE IN THE MAKING:
- devising from stimuli
- process, music - directing and visions
- acting
- physical (LeCoq)
- method (Meisner) - make up
- color
- masks
- spatial awareness
- researching, doing, observing, recording (journal/blog)
Friday, June 3, 2011
Theatre Exam. Oh boy.
Alright, this is officially my drawing board for my Theatre exam on Tuesday. After visiting the museum on Wednesday a few main ideas have popped into my head:
- four people (each from a culture I briefly mentioned in my previous posts) meeting and showing one another their own cultures
- transforming into a different animal according to character traits (happy - dog, shy - ostrich etc.)
- going from an objective world to an animated world
I'LL EDIT WHEN I THINK OF MORE IDEAS!
Un Monde Subdivisé/ A Divided World (Branly)
My group looked at the totemic object of a kangaroo from Australia. The idea that one is part of one bigger ancestor animal is shown. A story was told to us of aboriginal Australians hunting together and dividing up the animal they have caught later. While a person from the South takes the tail of the animal, a person that lives in the center of the land takes the heart of the animal. By hunting the animal and taking their specific parts, they realize that they are a part of the same clan. One ancestor is always kept in mind, as each clan has a different animal. Each family takes a different part of the animal, as they are part of the ancestor.
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