Wednesday, June 8, 2011

Supporting Images







Points to Make For My Oral Exam (With the Help of Leyla)

  1. Did not know much about theatre before - the only time I was on stage was for a band concert or when I played narrator in Elementary School
  2. Had the most difficulty with sharing my ideas and revealing/exposing who I am
  3. Broke the barrier by being encouraged and hearing others' ideas as well, learning more about practitioners and realizing I may be able to really develop with mine
  4. I learned from the process of using stimuli and devising that
    - theatre can be as simple or as complicated as you want it to be, as long as you have a clear message
    - stage elements take a lot of work
    - practioners' theories can be of great use
  5. Grown in developing my ideas and thinking more outside the box
    - I'm more creative than I thought and am having less of a difficult time creating a message
  6. A message I find in a lot of my pieces: It's okay to be different and there's no need to hide.
  7. Themes I find in (almost) all of my pieces: acceptance, difference, vibrance
Images:
- a blank canvas (I have so many ideas to paint)
- trombone (another passion of mine that is stressful at times, but gives me the sense of release: COMPARISON)
- thinking outside the box
- a nice necklace with different beads (all these different people make a beautiful product)
- something simple looking on the outside, but complicated on the inside

THEATRE IN PERFORMANCE:

  • Acting
    - Brecht
    - Disney
    - The Empty Space (Deadly, Holy, Rough Theatre)
    - Green Team Piece
    - Improv. Pieces
  • Devising
    - Little Airplanes
    - Disney
    - Musical
  • Writing
    - Musical
    - Little Airplanes
    - Monologue
  • Critiquing
    - We critiqued everything
    - Sweeney Todd
    - Julius Caesar
  • Directing
    - Pulp Fiction (?)
  • Stage Elements
    - Doing set of Love's Labour's Lost

THEATRE IN THE WORLD:

  • Three Penny Opera (Brecht)
  • Topgirls (Caryl Churchill)
  • Little Airplanes of the Heart
  • Marat/Sade
  • Romance Language
  • took a peek at Commedia dell'Arte
  • practitioners
  1. Brecht (Epic Theatre)
  2. Meisner (Method Acting)
  3. Shakespeare
  4. Brooke (theories)
  5. Jacques LeCoq (Physical Theatre)
    - space, colors, plateau, animals, elements
    - clown (Bouffon), neutral mask

THEATRE IN THE MAKING:

  • devising from stimuli
    - process, music
  • directing and visions
  • acting
    - physical (LeCoq)
    - method (Meisner)
  • make up
  • color
  • masks
  • spatial awareness
  • researching, doing, observing, recording (journal/blog)

Friday, June 3, 2011

Theatre Exam. Oh boy.

Alright, this is officially my drawing board for my Theatre exam on Tuesday. After visiting the museum on Wednesday a few main ideas have popped into my head:
  • four people (each from a culture I briefly mentioned in my previous posts) meeting and showing one another their own cultures
  • transforming into a different animal according to character traits (happy - dog, shy - ostrich etc.)
  • going from an objective world to an animated world
I'LL EDIT WHEN I THINK OF MORE IDEAS!

Un Monde Subdivisé/ A Divided World (Branly)



Same body, same soul.
My group looked at the totemic object of a kangaroo from Australia. The idea that one is part of one bigger ancestor animal is shown. A story was told to us of aboriginal Australians hunting together and dividing up the animal they have caught later. While a person from the South takes the tail of the animal, a person that lives in the center of the land takes the heart of the animal. By hunting the animal and taking their specific parts, they realize that they are a part of the same clan. One ancestor is always kept in mind, as each clan has a different animal. Each family takes a different part of the animal, as they are part of the ancestor.