Attacks bourgeois and opera of theatre
He wants to make theatre political
Singing shouldn't replace an excess of feeling (I cannot speak, so I'm going to sing).
Wants the actor to always be aware that he's being watched
Wants to bring the audience in emotionally, then kick them out (always watching, thinking, observing). Thus, the actor also always has to be in that position.
Stanislavsky - Piscator - Brecht
Removing oneself
Lecoq
He wants to make theatre political
Singing shouldn't replace an excess of feeling (
Wants the actor to always be aware that he's being watched
Wants to bring the audience in emotionally, then kick them out (always watching, thinking, observing). Thus, the actor also always has to be in that position.
Stanislavsky - Piscator - Brecht
Removing oneself
Lecoq
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